If you had asked me about this subject 5 years ago, I honestly would've believed that it would have become a non-subject by now. The fact that the present cultural zeitgeist and behaviors of my peers continue to perpetuate this silliness compels me to comment.
I'm sure that, at least by now, most people have met a pitchforker. The people who pride themselves on listening to unsigned bands, reading Pitchfork ("Indie" music mag), who pride themselves on knowing the band "before they were famous". These are the people who brag about their music collection either due to eclecticness or vastness. A behavior of which I am guilty, admittedly not out of a desire to brag, but rather, out of awe of my own compulsiveness in collecting music.
The problem is that people value what is rare, unknown, or seemingly original. The problem is that all of these are void issues. If something is unknown, it's probably for want of a combination of quality and promotion. I will admit that some quality bands can be fairly unknown, but I wouldn't say that that's the case when you isolate it down to the people who actually care about the band's genre of music. Example being that, if you start a truly excellent melodic death metal band, regardless of whether or not you are "famous", anyone who cares about the genre *will* find out about you one way or another.
As for what's rare, that's just economics and human nature. The desire to grasp for what one doesn't have just because one doesn't have it is something I don't particularly identify with and frankly it makes us little better than field mice.
Originality is one of the more interesting components of these behaviors. The problem is that originality doesn't really matter. Sometimes all the world really wants is a better mousetrap. Even if it doesn't, nothing is truly original under the sun. Everything is made up of the constituent parts of what came before. This applies to everything from technological innovation to musical genre busting. Even the most eclectic bands adhere to a particular aesthetic which could, at best, be described as a fusion of two or three genres/older bands.
Listening to a band no one you know has ever heard of doesn't make you special. If you're lucky, it means you spend a little too much time hunting for music. Like me. At worst, it makes you an arrogant poser who keeps spouting off about your stupid fucking music collection when in fact no one really cares and is tired of hearing it.
